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Gallery exhibit features Barros’ ‘An Entanglement of Space and Time’

Fitchburg State University’s first art exhibition of the academic year will feature the inspiring 360-degree panoramic work of Ricardo Barros in “An Entanglement of Space and Time.” Barros’ work will be exhibited in the Hammond Hall Art Gallery through Friday, Oct. 17. There will be an opening reception at 3:30 Thursday, Sept. 18 at the Gallery. Gallery hours are Monday-Thursday (7 a.m. to 11:30 p.m.), Friday (7 a.m. to 5 p.m.), Saturday (noon-5 p.m.) and Sunday (noon-11:30 p.m.). Barros’ 360-degree panoramic photographs record everything visible from a particular point in space. Dozens of shots, each looking in a different direction, are digitally stitched into a single, seamless image. “Were I to present the resultant image on a computer, the viewers’ experience would be one of virtual reality,” Barros said. “They could choose where to look, and their perception would resemble that of someone physically in that setting. Flattening the panorama into a two-dimensional photograph distorts how that setting is represented. And because it takes time to make the required shots, a person photographed at one location in one shot may reappear at a different location in a different shot. Yet, in the finished panorama, they are concurrently present. Our reconstruction of a person’s path to progress from Point A to Point B asserts a logical sequence of events and, indirectly, acknowledges the passage of time. Thus, we make sense of what we see. Except that in the flattened photograph, we see everything, all at once.” For Barros, photography is a form of observation. “We can often learn things when we look more closely, and especially so when we look at something from a different perspective,” he said. “In making these pictures, I know what elements I am including in my composition, but I never know what the final photograph will look like. My reward lies in the discovery.” Barros said that a friend pointed out to him that his interests paralleled those of physicists who study time and space. “For him, the 360s were a conceptual illustration of Relativity Theory,” Barros said. “These photographs seemingly unfold space and bend time. While I produce my imagery purely with artistic intent, I am comfortable having it nestled within that context.” Barros is a photographer, writer, curator, and filmmaker. His works are in the permanent collections of eleven museums, including the Smithsonian Museum of American Art, the Museum of Art of São Paulo, and the Fitchburg Art Museum. Ricardo was awarded a Fellowship in Photography by the New Jersey State Council on the Arts in 1984 and 2021, and the Marlene and David Persky Present Tense Prize by ArtsWorcester in 2024. He recently moved to Fitchburg with his wife, artist Heather Barros. More information at www.ricardobarros.com.

Fitchburg State University’s first art exhibition of the academic year will feature the inspiring 360-degree panoramic work of Ricardo Barros in “An Entanglement of Space and Time.”

Barros’ work will be exhibited in the Hammond Hall Art Gallery through Friday, Oct. 17. There will be an opening reception at 3:30 Thursday, Sept. 18 at the Gallery

Gallery hours are Monday-Thursday (7 a.m. to 11:30 p.m.), Friday (7 a.m. to 5 p.m.), Saturday (noon-5 p.m.) and Sunday (noon-11:30 p.m.).

Barros’ 360-degree panoramic photographs record everything visible from a particular point in space. Dozens of shots, each looking in a different direction, are digitally stitched into a single, seamless image.

“Were I to present the resultant image on a computer, the viewers’ experience would be one of virtual reality,” Barros said. “They could choose where to look, and their perception would resemble that of someone physically in that setting. Flattening the panorama into a two-dimensional photograph distorts how that setting is represented. And because it takes

time to make the required shots, a person photographed at one location in one shot may reappear at a different location in a different shot. Yet, in the finished panorama, they are concurrently present. Our reconstruction of a person’s path to progress from Point A to Point B asserts a logical sequence of events and, indirectly, acknowledges the passage of time. Thus, we make sense of what we see. Except that in the flattened photograph, we see everything, all at once.”

For Barros, photography is a form of observation. 

“We can often learn things when we look more closely, and especially so when we look at something from a different perspective,” he said. “In making these pictures, I know what elements I am including in my composition, but I never know what the final photograph will look like. My reward lies in the discovery.”

Barros said that a friend pointed out to him that his interests paralleled those of physicists who study time and space. 

“For him, the 360s were a conceptual illustration of Relativity Theory,” Barros said. “These photographs seemingly unfold space and bend time. While I produce my imagery purely with artistic intent, I am comfortable having it nestled within that context.”

Barros is a photographer, writer, curator, and filmmaker. His works are in the permanent collections of eleven museums, including the Smithsonian Museum of American Art, the Museum of Art of São Paulo, and the Fitchburg Art Museum. Ricardo was awarded a Fellowship in Photography by the New Jersey State Council on the Arts in 1984 and 2021, and the Marlene and David Persky Present Tense Prize by ArtsWorcester in 2024. He recently moved to Fitchburg with his wife, artist Heather Barros. More information at www.ricardobarros.com.

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